翻訳と辞書
Words near each other
・ Kill Me Please
・ Kill Me Quick
・ Kill Me Quick, I'm Cold
・ Kill Me Three Times
・ Kill Me Tomorrow
・ Kill Me, Heal Me
・ Kill Me, Kiss Me
・ Kill Memory Crash
・ Kill My Blues
・ Kill My Boyfriend (Natalia Kills song)
・ Kill My Landlord
・ Kill Now—Pay Later
・ Kill off
・ Kill on Command
・ Kill or be killed
Kill or Be Killed (1942 film)
・ Kill or Be Killed (1966 film)
・ Kill or Be Killed (Biohazard album)
・ Kill or Be Killed (Deniro Farrar and Shady Blaze album)
・ Kill or Be Killed (film)
・ Kill or Be Killed (The Vampire Diaries)
・ Kill or capture
・ Kill or Cure
・ Kill or Cure (1923 film)
・ Kill or Cure (1962 film)
・ Kill Pill
・ Kill puppies for satan
・ Kill Reality
・ Kill Rock 'n Roll
・ Kill Rock Stars


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Kill or Be Killed (1942 film) : ウィキペディア英語版
Kill or Be Killed (1942 film)

''Kill or Be Killed'' is an 18 minute long, documentary-style film directed in 1942 by experimental artist Len Lye during his time working for the British Government’s Ministry of Information. The initial purpose of the film was to serve as a military training tool and a piece of post-war propaganda viewable by the general public, but since its release, both critics and filmmakers alike have hailed it as a “masterpiece of filmmaking,” claiming that the realistic cinematography is both pleasing in aesthetics and technicality for its time.〔 The film is most notable for its use of subjective viewing.
== Plot ==
''Kill or Be Killed'' follows the single event of British sniper, Sergeant Smith, as he crawls about an unidentified, yet generic-looking forest seeking to aim and kill a Nazi enemy ironically named Schmidt. It is actually within the first few minutes of the film that Smith acquires and executes his target, while the second act of the film (totaling in three) is a flashback that compresses the tedious manhunt leading up to the climax. The lengthy sequence shows Smith in gross camouflage blending naturally within his surrounding—each bodily movement abiding the dynamics of obscurity as he slowly ascends to higher ground and optimal surveillance.
Once there, Smith progresses the action of the film by reiterating the scoping and sniping of Schmidt, and then uses the corpse as a decoy to lure other Nazi soldiers into a clearing where he systematically picks them off.〔
The film ends with an elicited tone of triumph.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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